Clergyman's

Over 1 Million "Quote" Cards

“Caution is the key to safe cycling. I'm aware that cars are bigger than me, but I feel quite safe. I'm in control, liberated and free, when I'm on my bike.”

— Erin O'Connor

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“Caution is the key to safe cycling. I'm aware that cars are bigger than me, but I feel quite safe. I'm in control, liberated and free, when I'm on my bike.”
— Erin O'Connor

“The model sanctuary was borne of a complex, political, societal debate. It was proposed to us from various bodies that we give models medicals once a year, and if they didn't pass that medical, there's a chance they'd legally lose their right to work.”

— Erin O'Connor

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“The model sanctuary was borne of a complex, political, societal debate. It was proposed to us from various bodies that we give models medicals once a year, and if they didn't pass that medical, there's a chance they'd legally lose their right to work.”
— Erin O'Connor

“Growing up, I had an insane crush on Neil Tennant of the Pet Shop Boys.”

— Erin O'Connor

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“Growing up, I had an insane crush on Neil Tennant of the Pet Shop Boys.”
— Erin O'Connor

“Clothes are like a suit of armour when you're young. I was quite a shy teen, so I wanted to make aggressive statements with the way I looked. I'd say my goth/indie stage was the worst: there was a lot of experimentation involving pink food dye in my fringe.”

— Erin O'Connor

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“Clothes are like a suit of armour when you're young. I was quite a shy teen, so I wanted to make aggressive statements with the way I looked. I'd say my goth/indie stage was the worst: there was a lot of experimentation involving pink food dye in my fringe.”
— Erin O'Connor

“With high fashion, it's a performance. You're trying to interpret a fantasy in a very physical way, and you really are playing a character. I've played men, dead people, famous people, historical icons, and it's no mean feat. It's quite an insular experience even though the crowd is in front of you and there's an expectation.”

— Erin O'Connor

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“With high fashion, it's a performance. You're trying to interpret a fantasy in a very physical way, and you really are playing a character. I've played men, dead people, famous people, historical icons, and it's no mean feat. It's quite an insular experience even though the crowd is in front of you and there's an expectation.”
— Erin O'Connor

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