CGI is a wonderful tool but I believe it’s mostly mis-used. Or maybe more to the point: OVER-used. I truly believe we have a little chip in our head that subconsciously tells us when something we’re seeing isn’t real… and therein lies the danger of CGI.- Fred Dekker ✦ Customize This Card SAVE: .PNG .JPG .SVG COPY DESIGN: ✦ EXTREME MIX THEME PATTERN FRAME CUSTOM BG: UPLOAD IMAGE ✕ CLEAR DIM: FONT: Playfair Display Cinzel Royal Cormorant EB Garamond Lora Editorial Merriweather Baskerville Roboto Slab Montserrat Raleway Oswald Bold Lato Clean Great Vibes Dancing Script Pacifico Caveat Brush Amatic SC RATIO: Auto Fit 4:5 Portrait 1:1 Square 5:4 Classic 16:9 Wide 9:16 Story 3:4 Poster RES: 1x Standard 2x HD (1080p) 3x Ultra (4K) 4x Extreme Print BG PAT TEXT FRAME CGI is a wonderful tool but I believe it’s mostly mis-used. Or maybe more to the point: OVER-used. I truly believe we have a little chip in our head that subconsciously tells us when something we’re seeing isn’t real… and therein lies the danger of CGI.- Fred Dekker
My dream participation would be to make as much money as humanly possible for doing nothing whatsoever.- Fred Dekker ✦ Customize This Card SAVE: .PNG .JPG .SVG COPY DESIGN: ✦ EXTREME MIX THEME PATTERN FRAME CUSTOM BG: UPLOAD IMAGE ✕ CLEAR DIM: FONT: Playfair Display Cinzel Royal Cormorant EB Garamond Lora Editorial Merriweather Baskerville Roboto Slab Montserrat Raleway Oswald Bold Lato Clean Great Vibes Dancing Script Pacifico Caveat Brush Amatic SC RATIO: Auto Fit 4:5 Portrait 1:1 Square 5:4 Classic 16:9 Wide 9:16 Story 3:4 Poster RES: 1x Standard 2x HD (1080p) 3x Ultra (4K) 4x Extreme Print BG PAT TEXT FRAME My dream participation would be to make as much money as humanly possible for doing nothing whatsoever.- Fred Dekker
My dream participation would be to make as much money as humanly possible for doing nothing whatsoever.- Fred Dekker ✦ Customize This Card SAVE: .PNG .JPG .SVG COPY DESIGN: ✦ EXTREME MIX THEME PATTERN FRAME CUSTOM BG: UPLOAD IMAGE ✕ CLEAR DIM: FONT: Playfair Display Cinzel Royal Cormorant EB Garamond Lora Editorial Merriweather Baskerville Roboto Slab Montserrat Raleway Oswald Bold Lato Clean Great Vibes Dancing Script Pacifico Caveat Brush Amatic SC RATIO: Auto Fit 4:5 Portrait 1:1 Square 5:4 Classic 16:9 Wide 9:16 Story 3:4 Poster RES: 1x Standard 2x HD (1080p) 3x Ultra (4K) 4x Extreme Print BG PAT TEXT FRAME My dream participation would be to make as much money as humanly possible for doing nothing whatsoever.- Fred Dekker
The thing that I learned from Night of the Creeps that went going into Monster Squad and anything else that I had done since then is to have a stopwatch and make sure that however long it takes to play the scene or the take, that we do a couple at different speeds and presumably faster. If you look at the Preston Sturges comedies of the forties or some of the great comic directors of those days or even Howard Hawks, where he had everybody talking over each other very quickly. I think that's a great litmus test because people will almost never blame you if your movie goes too quickly, but they will get their noses out of joint if it's too slow. So the lesson I learned on Creeps was pace. But there's times when it takes its time and that really, really works for it. Making movies is trying to catch lightning in a bottle and it's very, very tricky to do.- Fred Dekker ✦ Customize This Card SAVE: .PNG .JPG .SVG COPY DESIGN: ✦ EXTREME MIX THEME PATTERN FRAME CUSTOM BG: UPLOAD IMAGE ✕ CLEAR DIM: FONT: Playfair Display Cinzel Royal Cormorant EB Garamond Lora Editorial Merriweather Baskerville Roboto Slab Montserrat Raleway Oswald Bold Lato Clean Great Vibes Dancing Script Pacifico Caveat Brush Amatic SC RATIO: Auto Fit 4:5 Portrait 1:1 Square 5:4 Classic 16:9 Wide 9:16 Story 3:4 Poster RES: 1x Standard 2x HD (1080p) 3x Ultra (4K) 4x Extreme Print BG PAT TEXT FRAME The thing that I learned from Night of the Creeps that went going into Monster Squad and anything else that I had done since then is to have a stopwatch and make sure that however long it takes to play the scene or the take, that we do a couple at different speeds and presumably faster. If you look at the Preston Sturges comedies of the forties or some of the great comic directors of those days or even Howard Hawks, where he had everybody talking over each other very quickly. I think that's a great litmus test because people will almost never blame you if your movie goes too quickly, but they will get their noses out of joint if it's too slow. So the lesson I learned on Creeps was pace. But there's times when it takes its time and that really, really works for it. Making movies is trying to catch lightning in a bottle and it's very, very tricky to do.- Fred Dekker