Then the general stepped so close that Jeff could smell the pomade on his thick black hair. Leaning forward, he passed a ribbon around Jeff's neck and underneath his collar. Suspended from the ribbon was a tiny piece of red, white and blue fabric. And dangling from the fabric was a shiny bronze star and eagle that flashed more brilliantly in the sunshine than even the general's gold shoulder bars. Noah got one, too. Just as Jeff began to realize that he and Noah were being decorated, the general was shaking hands stiffly with each of them. Jeff couldn't hide the embarrassment and the unbelief in his face. Somebody had made a mistake. He hadn't done anything in the battle but follow Noah. If this was the way the army handed out decorations, then something was wrong with the system. ""Shoot, General,"" Jeff blurted in protest, ""all we did was load her and swab her.
- Harold Keith
Jeff smiled to himself and went on eating. He had heard his father discuss the issues so often that he knew them forward and backward. But he saw no need for injecting himself into the conversation here. Besides, he was too busy with his supper. The food was good, and there was lots of it. In bed that night in the barracks, Jeff turned on his stomach and sighed with satisfaction. At last he was in the Army.
- Harold Keith
Few Americans know how savagely the Civil War raged or how strange and varied were its issues in what is now Oklahoma and the neighboring states of Kansas, Missouri and Arkansas. Rifles for Watie was faithfully written against the historical backdrop of the conflict in this seldom-publicized, Far-Western theater.
- Harold Keith
When one of the surgeons motioned him outside, Jeff was glad to leave. ""So long, kid,"" the sandy-haired man called after him. Then noticing Jeff's stricken face, he added apologetically, ""I don't care, kid. I never could dance worth a darn anyhow.
- Harold Keith