Clergyman's

Over 1.5 Million "Quote" Cards

Mr. Honda, like Mr. Tsuburaya, was a gentleman. He was very likeable. Mr. Kurosawa always told the actors with whom he worked exactly what to do, but Mr. Honda would give those with whom he worked as much freedom as he could. That's the way Mr. Tsuburaya worked as well.
- Haruo Nakajima

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Mr. Honda, like Mr. Tsuburaya, was a gentleman. He was very likeable. Mr. Kurosawa always told the actors with whom he worked exactly what to do, but Mr. Honda would give those with whom he worked as much freedom as he could. That's the way Mr. Tsuburaya worked as well.
- Haruo Nakajima

Mr. Honda, like Mr. Tsuburaya, was a gentleman. He was very likeable. Mr. Kurosawa always told the actors with whom he worked exactly what to do, but Mr. Honda would give those with whom he worked as much freedom as he could. That's the way Mr. Tsuburaya worked as well.
- Haruo Nakajima

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Mr. Honda, like Mr. Tsuburaya, was a gentleman. He was very likeable. Mr. Kurosawa always told the actors with whom he worked exactly what to do, but Mr. Honda would give those with whom he worked as much freedom as he could. That's the way Mr. Tsuburaya worked as well.
- Haruo Nakajima

Katsumi Tezuka and I both tried on the Godzilla costume during the first day of shooting. The costume was very stiff and heavy. I could walk about thirty feet in it, but Mr. Tezuka could only walk about ten feet in it. There were three cables coming out of the back of the costume. Two were for the operation of the eyes, and one was for the operation of the mouth. Eizo Kaimai was responsible for the movement of the eyes and the mouth. The ASA speed of the film that was used at the time was very slow, so the set had to be very brightly lit. Another actor complained that the lights made it too hot inside the costume, but I never complained. Batteries were installed in the Godzilla costume that was made for the second Godzilla movie. They were for the operation of the eyes and the mouth. The batteries made the costume even heavier than the one that had been constructed for the first Godzilla film.
- Haruo Nakajima

Sia io che Katsumi Tezuka indossammo il costume di Godzilla nel primo giorno delle riprese. Il costume era molto rigido e pesante. Riuscivo a camminare nove metri in esso, ma il signor Tezuka non poteva camminare più di tre.
- Haruo Nakajima

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Sia io che Katsumi Tezuka indossammo il costume di Godzilla nel primo giorno delle riprese. Il costume era molto rigido e pesante. Riuscivo a camminare nove metri in esso, ma il signor Tezuka non poteva camminare più di tre.
- Haruo Nakajima

Sia io che Katsumi Tezuka indossammo il costume di Godzilla nel primo giorno delle riprese. Il costume era molto rigido e pesante. Riuscivo a camminare nove metri in esso, ma il signor Tezuka non poteva camminare più di tre.
- Haruo Nakajima

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Sia io che Katsumi Tezuka indossammo il costume di Godzilla nel primo giorno delle riprese. Il costume era molto rigido e pesante. Riuscivo a camminare nove metri in esso, ma il signor Tezuka non poteva camminare più di tre.
- Haruo Nakajima

Katsumi Tezuka and I both tried on the Godzilla costume during the first day of shooting. The costume was very stiff and heavy. I could walk about thirty feet in it, but Mr. Tezuka could only walk about ten feet in it. There were three cables coming out of the back of the costume. Two were for the operation of the eyes, and one was for the operation of the mouth. Eizo Kaimai was responsible for the movement of the eyes and the mouth. The ASA speed of the film that was used at the time was very slow, so the set had to be very brightly lit. Another actor complained that the lights made it too hot inside the costume, but I never complained. Batteries were installed in the Godzilla costume that was made for the second Godzilla movie. They were for the operation of the eyes and the mouth. The batteries made the costume even heavier than the one that had been constructed for the first Godzilla film.
- Haruo Nakajima

Ho basato la coreografia che ho fatto per Kong, uragano sulla metropoli sulle tecniche dei lottatori professionali. Credo che il risultato sia stato buono.
- Haruo Nakajima

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Ho basato la coreografia che ho fatto per Kong, uragano sulla metropoli sulle tecniche dei lottatori professionali. Credo che il risultato sia stato buono.
- Haruo Nakajima

I based the choreography I did for WAR OF THE GARGANTUAS on the techniques of professional wrestlers. I think it turned out very well.
- Haruo Nakajima

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I based the choreography I did for WAR OF THE GARGANTUAS on the techniques of professional wrestlers. I think it turned out very well.
- Haruo Nakajima

Era utile per me studiare solo i movimenti delle specie grandi. Al contrario di Godzilla, Varan, eccetera, le specie più piccole si muovono molto velocemente, quindi era inutile per me studiarli.
- Haruo Nakajima

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Era utile per me studiare solo i movimenti delle specie grandi. Al contrario di Godzilla, Varan, eccetera, le specie più piccole si muovono molto velocemente, quindi era inutile per me studiarli.
- Haruo Nakajima

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