Clergyman's

Over 1.5 Million "Quote" Cards

The case is a simple one. A mere increase in the variety of our material consumption relieves the strain imposed upon man by the limits of the material universe, for such variety enables him to utilise a larger proportion of the aggregate of matter. But in proportion as we add to mere variety a higher appreciation of those adaptations of matter which are due to human skill, and which we call Art, we pass outside the limits of matter and are no longer the slaves of roods and acres and a law of diminishing returns. So long as we continue to raise more men who demand more food and clothes and fuel, we are subject to the limitations of the material universe, and what we get ever costs us more and benefits us less. But when we cease to demand more, and begin to demand better, commodities, more delicate, highly finished and harmonious, we can increase the enjoyment without adding to the cost or exhausting the store. What artist would not laugh at the suggestion that the materials of his art, his colours, clay, marble, or what else he wrought in, might fail and his art come to an end? When we are dealing with qualitative, i.e. artistic, goods, we see at once how an infinite expenditure of labour may be given, an infinite satisfaction taken, from the meagrest quantity of matter and space. In proportion as a community comes to substitute a qualitative for a quantitative standard of living, it escapes the limitations imposed by matter upon man. Art knows no restrictions of space or size, and in proportion as we attain the art of living we shall be likewise free.
- J. A. Hobson

SAVE:
DESIGN:
CUSTOM BG:
FONT:
RATIO:
RES:
BG
PAT
TEXT
FRAME

The case is a simple one. A mere increase in the variety of our material consumption relieves the strain imposed upon man by the limits of the material universe, for such variety enables him to utilise a larger proportion of the aggregate of matter. But in proportion as we add to mere variety a higher appreciation of those adaptations of matter which are due to human skill, and which we call Art, we pass outside the limits of matter and are no longer the slaves of roods and acres and a law of diminishing returns. So long as we continue to raise more men who demand more food and clothes and fuel, we are subject to the limitations of the material universe, and what we get ever costs us more and benefits us less. But when we cease to demand more, and begin to demand better, commodities, more delicate, highly finished and harmonious, we can increase the enjoyment without adding to the cost or exhausting the store. What artist would not laugh at the suggestion that the materials of his art, his colours, clay, marble, or what else he wrought in, might fail and his art come to an end? When we are dealing with qualitative, i.e. artistic, goods, we see at once how an infinite expenditure of labour may be given, an infinite satisfaction taken, from the meagrest quantity of matter and space. In proportion as a community comes to substitute a qualitative for a quantitative standard of living, it escapes the limitations imposed by matter upon man. Art knows no restrictions of space or size, and in proportion as we attain the art of living we shall be likewise free.
- J. A. Hobson

Nations are represented not merely as self-centered, independent moral systems, but as, in some degree, mutually repellent systems. This notion is partly the product of the false patriotic teaching of our schools and press, which seek to feed our sense of national unity more upon exclusive than inclusive sentiments. Nations are represented as rivals and competitors in some struggle for power, or greatness, or prestige, instead of as coöperators in the general advance of civilization.
- J. A. Hobson

SAVE:
DESIGN:
CUSTOM BG:
FONT:
RATIO:
RES:
BG
PAT
TEXT
FRAME

Nations are represented not merely as self-centered, independent moral systems, but as, in some degree, mutually repellent systems. This notion is partly the product of the false patriotic teaching of our schools and press, which seek to feed our sense of national unity more upon exclusive than inclusive sentiments. Nations are represented as rivals and competitors in some struggle for power, or greatness, or prestige, instead of as coöperators in the general advance of civilization.
- J. A. Hobson

On what a slippery slope ...international morality reposes.
- J. A. Hobson

SAVE:
DESIGN:
CUSTOM BG:
FONT:
RATIO:
RES:
BG
PAT
TEXT
FRAME

On what a slippery slope ...international morality reposes.
- J. A. Hobson

On what a slippery slope ...international morality reposes.
- J. A. Hobson

SAVE:
DESIGN:
CUSTOM BG:
FONT:
RATIO:
RES:
BG
PAT
TEXT
FRAME

On what a slippery slope ...international morality reposes.
- J. A. Hobson

On what a slippery slope ...international morality reposes.
- J. A. Hobson

SAVE:
DESIGN:
CUSTOM BG:
FONT:
RATIO:
RES:
BG
PAT
TEXT
FRAME

On what a slippery slope ...international morality reposes.
- J. A. Hobson

Industrial progress would undoubtedly be slower under state-control, because the very object of such control is to divert a larger proportion of human genius and effort from these occupations in order to apply them in producing higher forms of wealth. It is not, however, right to assume that progress in the industrial arts would cease under state-industry; such progress would be slower, and would itself partake of a routine character—a slow, continuous adjustment of the mechanism of production and distribution to the slowly-changing needs of the community.
- J. A. Hobson

SAVE:
DESIGN:
CUSTOM BG:
FONT:
RATIO:
RES:
BG
PAT
TEXT
FRAME

Industrial progress would undoubtedly be slower under state-control, because the very object of such control is to divert a larger proportion of human genius and effort from these occupations in order to apply them in producing higher forms of wealth. It is not, however, right to assume that progress in the industrial arts would cease under state-industry; such progress would be slower, and would itself partake of a routine character—a slow, continuous adjustment of the mechanism of production and distribution to the slowly-changing needs of the community.
- J. A. Hobson

Industrial progress would undoubtedly be slower under state-control, because the very object of such control is to divert a larger proportion of human genius and effort from these occupations in order to apply them in producing higher forms of wealth. It is not, however, right to assume that progress in the industrial arts would cease under state-industry; such progress would be slower, and would itself partake of a routine character—a slow, continuous adjustment of the mechanism of production and distribution to the slowly-changing needs of the community.
- J. A. Hobson

SAVE:
DESIGN:
CUSTOM BG:
FONT:
RATIO:
RES:
BG
PAT
TEXT
FRAME

Industrial progress would undoubtedly be slower under state-control, because the very object of such control is to divert a larger proportion of human genius and effort from these occupations in order to apply them in producing higher forms of wealth. It is not, however, right to assume that progress in the industrial arts would cease under state-industry; such progress would be slower, and would itself partake of a routine character—a slow, continuous adjustment of the mechanism of production and distribution to the slowly-changing needs of the community.
- J. A. Hobson

he instinct for control of land, drives back to the earliest times when a wide range of land was necessary for a food supply for men or cattle, and is linked on to the ""trek"" habit, which survives more powerfully than is commonly supposed in civilised peoples. ... The animal lust of struggle, once a necessity, survives in the blood.
- J. A. Hobson

SAVE:
DESIGN:
CUSTOM BG:
FONT:
RATIO:
RES:
BG
PAT
TEXT
FRAME

he instinct for control of land, drives back to the earliest times when a wide range of land was necessary for a food supply for men or cattle, and is linked on to the ""trek"" habit, which survives more powerfully than is commonly supposed in civilised peoples. ... The animal lust of struggle, once a necessity, survives in the blood.
- J. A. Hobson

he instinct for control of land, drives back to the earliest times when a wide range of land was necessary for a food supply for men or cattle, and is linked on to the ""trek"" habit, which survives more powerfully than is commonly supposed in civilised peoples. ... The animal lust of struggle, once a necessity, survives in the blood.
- J. A. Hobson

SAVE:
DESIGN:
CUSTOM BG:
FONT:
RATIO:
RES:
BG
PAT
TEXT
FRAME

he instinct for control of land, drives back to the earliest times when a wide range of land was necessary for a food supply for men or cattle, and is linked on to the ""trek"" habit, which survives more powerfully than is commonly supposed in civilised peoples. ... The animal lust of struggle, once a necessity, survives in the blood.
- J. A. Hobson

Abhijit Naskar (1125) Abraham Lincoln (1397) Albanian (1935) Albert Camus (1800) Albert Einstein (2916) Ambrose Bierce (1138) Anonymous (1505) Arthur Schopenhauer (1753) Barack Obama (2150) Bertrand Russell (1559) Billy Graham (1992) Bob Dylan (1085) Bryant McGill (1170) Bulgarian (13181) C. S. Lewis (1431) Cassandra Clare (1183) Catalan (3784) Charles Bukowski (1237) Croatian (16737) Czech (22963) Dada Bhagwan (1148) Danish (2386) Debasish Mridha (6601) Deyth Banger (1252) Donald Trump (2337) Dutch (3918) Emil Cioran (1903) English (371280) Estonian (35089) Finnish (15865) Francois de La Rochefoucauld (1321) French (20723) Friedrich Nietzsche (3272) George Bernard Shaw (1713) George Orwell (1486) George W. Bush (1377) German (22924) Greek (5356) Haruki Murakami (1128) Hebrew (68733) Henry David Thoreau (1468) Hindi (2311) Honore de Balzac (1193) Hungarian (11817) Immanuel Kant (1270) Indonesian (4748) Israelmore Ayivor (2078) Italian (207069) Jair Bolsonaro (2066) Japanese (6304) Jean-Paul Sartre (1139) Johann Wolfgang von Goethe (1778) Jr. (1549) Karl Marx (1258) Korean (13816) Lailah Gifty Akita (10641) Leonardo da Vinci (1404) Letitia Elizabeth Landon (1129) Lithuanian (18580) Macedonian (3047) Mahatma Gandhi (1250) Mark Twain (2355) Martin Luther King (1127) Matshona Dhliwayo (2260) Mehmet Murat ildan (1972) Michel de Montaigne (1193) Norwegian (5812) Oscar Wilde (3916) Paulo Coelho (1558) Persian (40551) Polish (163509) Portuguese (35683) Ralph Waldo Emerson (2100) Richelle E. Goodrich (1109) Romanian (4430) Russian (57218) Samuel Johnson (1157) Shannon L. Alder (1096) Slovak (8086) Slovenian (2754) Spanish (35704) Stephen King (2052) Steve Maraboli (1239) Sunday Adelaja (5891) Swedish (4650) Tamil (2436) Telugu (1714) Terry Pratchett (1280) Thai (1144) Thomas Jefferson (1117) Turkish (54649) Ukrainian (19016) Unknown (6706) Victor Hugo (1134) Vietnamese (2562) Voltaire (1625) William Shakespeare (2517) Winston Churchill (1647) Woody Allen (1334) سید محمد خاتمی (1960)