Clergyman's

In many respects the mythico-religous dimension of Pythagoras' life bears an uncanny resemblance to the life of Christ depicted in the New Testament. Both men are said to have been the offspring of a god and a virgin woman. In both cases their fathers received messages that a special child was to have been born to their wives—Joseph was told by an angel in a dream; Pythagoras' father, Mnesarchus, received the glad tidings from the Delphic oracle. Both spent a period of isolation on holy mountain, and both were said to have ascended bodily into the heavens upon their deaths. Furthermore, both spread their teachings in the form of parables, called akousmata by the Pythagoreans, and a number of parables from the New Testament are known to be versions of earlier Pythagorean akousmata.
- Margaret Wertheim

The association between religion and mathematically based science has its origins in the mists of history. ...the very dawn of Western culture in sixth-century B.C. Greece. ...hen the Greeks were turning away from the mythological picture immortalized by Homer and Hesiod, the Ionian philosopher Pythagoras of Samos pioneered a worldview in which mathematics was seen as the key to reality. In place of the mythological gods, Pythagoras painted a picture in which the universe was conceived as a great musical instrument resonating with divine mathematical harmonies. ... mystics, theologians, and physicists ever since. ...But to Pythagoras and his followers, mathematics was the key not simply to the physical world, but more importantly to the spiritual world—for they believed that numbers were literally gods. By contemplating numbers and their relationships, the Pythagoreans sought union with the ""divine."" For them, mathematics was first and foremost a religious activity.
- Margaret Wertheim

The association between religion and mathematically based science has its origins in the mists of history. ...the very dawn of Western culture in sixth-century B.C. Greece. ...hen the Greeks were turning away from the mythological picture immortalized by Homer and Hesiod, the Ionian philosopher Pythagoras of Samos pioneered a worldview in which mathematics was seen as the key to reality. In place of the mythological gods, Pythagoras painted a picture in which the universe was conceived as a great musical instrument resonating with divine mathematical harmonies. ... mystics, theologians, and physicists ever since. ...But to Pythagoras and his followers, mathematics was the key not simply to the physical world, but more importantly to the spiritual world—for they believed that numbers were literally gods. By contemplating numbers and their relationships, the Pythagoreans sought union with the ""divine."" For them, mathematics was first and foremost a religious activity.
- Margaret Wertheim

The association between religion and mathematically based science has its origins in the mists of history. ...the very dawn of Western culture in sixth-century B.C. Greece. ...hen the Greeks were turning away from the mythological picture immortalized by Homer and Hesiod, the Ionian philosopher Pythagoras of Samos pioneered a worldview in which mathematics was seen as the key to reality. In place of the mythological gods, Pythagoras painted a picture in which the universe was conceived as a great musical instrument resonating with divine mathematical harmonies. ... mystics, theologians, and physicists ever since. ...But to Pythagoras and his followers, mathematics was the key not simply to the physical world, but more importantly to the spiritual world—for they believed that numbers were literally gods. By contemplating numbers and their relationships, the Pythagoreans sought union with the ""divine."" For them, mathematics was first and foremost a religious activity.
- Margaret Wertheim

Having been banished from his home and friends, Dante created in The Divine Comedy a new life for himself. Denied a voice in Florence, he recreated himself in fiction and gave this poetic ""self"" a voice that would ring through the ages. What we have in the poem is, in effect, a ""virtual Dante."" In fact we know far more about this virtual Dante than we know about the real historical person . It is this virtual self who speaks to us across the centuries and is our guide through the landscape of medieval soul-space.
- Margaret Wertheim

Having been banished from his home and friends, Dante created in The Divine Comedy a new life for himself. Denied a voice in Florence, he recreated himself in fiction and gave this poetic ""self"" a voice that would ring through the ages. What we have in the poem is, in effect, a ""virtual Dante."" In fact we know far more about this virtual Dante than we know about the real historical person . It is this virtual self who speaks to us across the centuries and is our guide through the landscape of medieval soul-space.
- Margaret Wertheim

Having been banished from his home and friends, Dante created in The Divine Comedy a new life for himself. Denied a voice in Florence, he recreated himself in fiction and gave this poetic ""self"" a voice that would ring through the ages. What we have in the poem is, in effect, a ""virtual Dante."" In fact we know far more about this virtual Dante than we know about the real historical person . It is this virtual self who speaks to us across the centuries and is our guide through the landscape of medieval soul-space.
- Margaret Wertheim

Having been banished from his home and friends, Dante created in The Divine Comedy a new life for himself. Denied a voice in Florence, he recreated himself in fiction and gave this poetic ""self"" a voice that would ring through the ages. What we have in the poem is, in effect, a ""virtual Dante."" In fact we know far more about this virtual Dante than we know about the real historical person . It is this virtual self who speaks to us across the centuries and is our guide through the landscape of medieval soul-space.
- Margaret Wertheim

Having been banished from his home and friends, Dante created in The Divine Comedy a new life for himself. Denied a voice in Florence, he recreated himself in fiction and gave this poetic ""self"" a voice that would ring through the ages. What we have in the poem is, in effect, a ""virtual Dante."" In fact we know far more about this virtual Dante than we know about the real historical person . It is this virtual self who speaks to us across the centuries and is our guide through the landscape of medieval soul-space.
- Margaret Wertheim

Having been banished from his home and friends, Dante created in The Divine Comedy a new life for himself. Denied a voice in Florence, he recreated himself in fiction and gave this poetic ""self"" a voice that would ring through the ages. What we have in the poem is, in effect, a ""virtual Dante."" In fact we know far more about this virtual Dante than we know about the real historical person . It is this virtual self who speaks to us across the centuries and is our guide through the landscape of medieval soul-space.
- Margaret Wertheim