Clergyman's

“I don’t think anyone understands the Asian Americans’ place amidst this white and black culture. There’s something very specific to being Asian American that other peoples aren’t getting, and we haven’t learned how to define it, even amongst ourselves. We’re the Other. We’re always the Other, we can be here forever and we’re still foreign. We’ve impacted the culture, but third, fourth, fifth, sixth generations and still, you walk down the street and someone will look at you, and you will be foreign. That is what disturbs me.”
— Philip Kan Gotanda

“To me the play is never just the play but it’s the whole journey to it.”
— Philip Kan Gotanda

“The play is my gut's response to stories that have to do with my own bloodline. I think it is a great luxury and adventure to be able to dive into one's own history, one's own lineage, psychology and story, and illumine and at the same time fictionalize it.”
— Philip Kan Gotanda

“To me, it’s always been a matter of: Do your homework and be committed to the extent that you can capture that world. I think I’m open.”
— Philip Kan Gotanda