“Ravings, in short, jealousy of the past, the worst kind of all.”
— Salman Rushdie
“The ruthlessness of the godly invalidated their claims of virtue.”
— Salman Rushdie
“It may be that writers in my position,exiles, or emigrants or expatriates, are haunted by some sense of loss, some urge to reclaim, to look back, even at the risk of being mutilated into pillars of salt. But if we do look back, we must do in the knowledge – which gives rise to profound uncertainties- that our physical alienation from India almost inevitably means that we will not be capable of reclaiming precisely the thing that was lost, that we will, in short, create fictions, not actual cities or villages, but invisible ones, imaginary homelands, Indias of the mind.”
— Salman Rushdie
“The enemy for the fanatic is pleasure, which makes it extremely important to continue to indulge in pleasure. Dance madly. That is how you get rid of terrorism.”
— Salman Rushdie
“There were six hundred thousand Indian troops in Kashmir but the pogrom of the pandits was not prevented, why was that. Three and a half lakhsof human beings arrived in Jammu as displaced persons and for many months the government did not provide shelters or relief or even registertheir names, why was that. When the government finally built camps it only allowed for six thousand families to remain in the state, dispersing theothers around the country where they would be invisible and impotent, why was that. The camps at Purkhoo, Muthi, Mishriwallah, Nagrota were builton the banks and beds of nullahas, dry seasonal waterways, and when the water came the camps were flooded, why was that. The ministers of thegovernment made speeches about ethnic cleansing but the civil servants wrote one another memos saying that the pandits were simply internalmigrants whose displacement had been self-imposed, why was that. The tents provided for the refugees to live in were often uninspected andleaking and the monsoon rains came through, why was that. When the one-room tenements called ORTs were built to replace the tents they tooleaked profusely, why was that. There was one bathroom per three hundred persons in many camps why was that and the medical dispensarieslacked basic first-aid materials why was that and thousands of the displaced died because of inadequate food and shelter why was that maybe fivethousand deaths because of intense heat and humidity because of snake bites and gastroenteritis and dengue fever and stress diabetes andkidney ailments and tuberculosis and psychoneurosis and there was not a single health survey conducted by the government why was that and thepandits of Kashmir were left to rot in their slum camps, to rot while the army and the insurgency fought over the bloodied and broken valley, todream of return, to die while dreaming of return, to die after the dream of return died so that they could not even die dreaming of it, why was that whywas that why was that why was that why was that.”
— Salman Rushdie
“Don’t you know girls have to fool people every day of their lives if they want to get anywhere?”
— Salman Rushdie
“Once upon a time there was a mother who, in order to become a mother, had agreed to change her name; who set herself the task of falling in love with her husband bit-by-bit, but who could n ever manage to love one part, the part, curiously enough, which made possible her motherhood; whose feet were hobbled by verrucas and whose shoulders were stooped beneath the accumulating guilts of the world; whose husband’s unlovable organ failed to recover from the effects of a freeze; and who, like her husband, finally succumbed to the mysteries of telephones, spending long minutes listening to the words of wrong-number callers . . . shortly after my tenth birthday (when I had recovered from the fever which has recently returned to plague me after an interval of nearly twenty-one years), Amina Sinai resumed her recent practice of leaving suddenly, and always immediately after a wrong number, on urgent shopping trips.”
— Salman Rushdie
“What kind of God is it who’s upset by a cartoon in Da”
— Salman Rushdie
“A question I have often asked is, ‘What would an inoffensive political cartoon look like?’ What would a respectful cartoon look like? The form requires disrespect and so if we are going to have in the world things like cartoons and satire, we just have to accept it as part of the price of fre”
— Salman Rushdie
“She has vivid pictures of Hell. It is as hot as Rajputana in June and everyone is made to learn seven foreign languages . . .”
— Salman Rushdie
“Many of us persons of the tinted persuasion care about human rights and artistic freedom too.”
— Salman Rushdie
“Those who do not have power over the story that dominates their lives, power to retell it, to rethink it, deconstruct it, joke about it, and change it as times change, truly are powerless.”
— Salman Rushdie
“Iff replied that the Plentimaw Fishes were what he called ‘hunger artists’ — ‘Because when they are hungry they swallow stories through every mouth, and in their innards miracles occur; a little bit of one story joins on to an idea from another, and hey presto, when they spew the stories out they are not the old tales but new ones. Nothing comes from nothing, Thieflet; no story comes from nowhere; new stories are born from old — it is the new combinations that make them new.”
— Salman Rushdie
“A race that rejected the idea of personal sacrifice would surely be erased from time’s records before long.”
— Salman Rushdie
“The only people who see the whole picture are the ones who step outside the frame.”
— Salman Rushdie
“And in Kandahar he was taught about survival, about fighting and killing and hunting, and he learned much else without being taught, such as looking out for himself and watching his tongue and not saying the wrong thing, the thing that might get him killed. About the dignity of the lost, about losing, and how it cleansed the soul to accept defeat, and about letting go, avoiding the trap of holding on too tightly to what you wanted, and about abandonment in general, and in particular fatherlesness, the lessness of fathers, the lessness of the fatherless, and the best defenses of those who are less against those who are more: inwardness, forethought, cunning, humility and good peripheral vision. The many lessons of lessness. The lessening from which growing could begin.”
— Salman Rushdie
“All liberty required was that the space for discourse itself be protected. Liberty lay in the argument itself, not the resolution of that argument, in the ability to quarrel, even with the most cherished beliefs of others; a free society was not placid but turbulent. The bazaar of conflicting was the place where freedom rang.”
— Salman Rushdie
“The moment you say that any idea system is sacred, whether it’s a religious belief system or a secular ideology, the moment you declare a set of ideas to be immune from criticism, satire, derision, or contempt, freedom of thought becomes imposs”
— Salman Rushdie
“Forget the soul. No such ghost in the machine. What happens to our mind befalls our body also. The condition of the body is also the state of the mind.”
— Salman Rushdie
“The moment you say that any idea system is sacred, whether it’s a religious belief system or a secular ideology, the moment you declare a set of ideas to be immune from criticism, satire, derision, or contempt, freedom of thought becomes impossible.”
— Salman Rushdie
“So-called Islamic ‘fundamentalism’ does not spring, in Pakistan, from the people. It is imposed on them from above. Autocratic regimes find it useful to espouse the rhetoric of faith, because people respect that language, are reluctant to oppose it. This how religions shore up dictators; by encircling them with words of power, words which the people are reluctant to see discredited, disenfranchised, mocked.But the ramming-down-the-throat point stands. In the end you get sick of it, you lose faith in the faith, if not qua faith then certainly as basis for a state. And then the dictator falls, and it is discovered that he had brought God down with him, that the justifying myth of the nation has been unmade. This leaves only two options: disintegration, or a new dictatorship … no, there is a third, and I shall not be o pessimistic as to deny its possibility. The third option is the substitution of a new myth for the old one. Here are three such myths, all available from stock at short notice: liberty; equality; fraternity. I recommend them highly.”
— Salman Rushdie
“Don’t let the zealots make Muslim a terrifying”
— Salman Rushdie
“They fuck you up, your mum and dad? No, that wasn’t it at all. Well, they did do that, perhaps, but they also allowed you to become the person, and the writer, that you had it in you to be.”
— Salman Rushdie
“All men needed to hear their stories told. He was a man, but if he died without telling the story he would be something less than that, an albino cockroach, a louse. The dungeon did not udnerstand the idea of as tory. The dungeon was static, eternal, black and a story needed motion adn tiem and light. He felt his story slipping away from him, beocming inconsequential, ceasing to be. He has no story. There was no story. He was not a man. There was no man here. There was only the dungeon, and the slithering dark.”
— Salman Rushdie
“When he was young, he told her, each phase of his life, each self he tried on, had seemed reassuringly temporary. Its imperfections didn’t matter, because he could easily replace one moment by the next, one Saladin by another.”
— Salman Rushdie
“Maybe in the case of true human, their mind, their soul, their consciousness flows through their bodies like blood, inhabiting every cell of their physical being, and so Aristotle was right, in humans the mind and body are one and cannot be separated, the self is both with the body and perishes with it too. She imagined that union with a thrill. How lucky human beings were if that was the case, she wanted to tell Geronimo who was and was not Ibn Rushd: lucky and doomed. When their hearts pounded with excitement their souls pounded too, when their pulses raced their spirits were aroused, hen their eyes moistened with tears of happiness it was their minds that felt the joy. Their minds touched the people their fingers touched, and when they in turn were touched by others it was as if two consciousnesses were briefly joined. The mind gave the body sensuality, it allowed the body to taste delight and to smell love in their lover’s sweet perfume; not only their bodies but their minds, too, made love. And at the end the soul, as mortal as the body, learned the last great lesson of life, which was the body’s death.”
— Salman Rushdie
“She wanted to say, I am made of smoke. My mind is smoke, my thoughts are smoke, I am all smoke and only smoke. This body is a garment I put on, which by my magic art I have made capable of functioning as a human body functions, it’s so biologically perfect that it can conceive children and pop them out in threes, fours and fives. Yet I am not of this body and could, if I chose, inhabit another woman, or an antelope, or a gnat. Aristotle was wrong, for I have lived for aeons, and altered by body when I chose, like a garment of which I had grown tired. The mind and the body are two, she wanted to say, but she knew it would disappoint him to be disagreed with, so she held her tongue.”
— Salman Rushdie
“Khattam-Shud,’ he said slowly, ‘is the Arch-Enemy of all Stories, even of language itself. He is the Prince of Silence and the Foe of Speech. And because everything ends, because dreams end, stories end, life ends, at the finish of everything we use his name. “It’s finished,” we tell one another, “it’s over. Khattam-Shud: The End.”
— Salman Rushdie
“…one could accept Muhammad as a genuine mystic—just as one could accept Joan of Arc’s voices as having genuinely been heard by her, or the revelations of Saint John the Divine as being that troubled soul’s ‘real’ experiences—without needing also to accept that, had one been standing next to the Prophet of Islam on Mount Hira that day, one would also have seen the Archangel.”
— Salman Rushdie
“These stories become what we know, what we understand, and what we are, or, perhaps we should say, what we have become, or can perhaps be.”
— Salman Rushdie