“Science fiction isn’t just thinking about the world out there. It’s also thinking about how that world might be – a particularly important exercise for those who are oppressed, because if they’re going to change the world we live in, they – and all of us – have to be able to think about a world that works differently.”
— Samuel R. Delany
“I want to read about a character doing something fairly quiet where I can picture who the character is, and what their attitude towards the world is – which I’m a lot more interested in than what they do under the pressure of a gunfight.”
— Samuel R. Delany
“An artist simply cannot trust any public emblem of merit.”
— Samuel R. Delany
“To be sure, the Road of Excess leads to the Palace of Wisdom, even when it takes you through the Valley of the Nest of Spiders. Just watch out for parasites.”
— Samuel R. Delany
“Writers are people who write. By and large, they are not happy people. They’re not good at relationships. Often they’re drunks. And writing—good writing—does not get easier and easier with practice. It gets harder and harder—so that eventually the writer must stall out into silence. The silence that waits for every writer and that, inevitably, if only with death, the writer must fall into is angst-ridden and terrifying—and often drives us mad. So if you’re not a writer, consider yourself fortunate.”
— Samuel R. Delany
“The yellow eyes had fallen from the tired star. Lorq’s face erupted about the scar at some antic from the Mouse that Katin had missed. Rage, Katin pondered. Rage. Yes, he is laughing. But how is anyone supposed to distinguish between laughter and rage in that face? But the others were laughing too. Yet some way, somehow, we do.”
— Samuel R. Delany
“There are three types of actions: purposeful, habitual, and gratuitous. Characters, to be immediate and apprehensible, must be presented by all three.’ Katin looked toward the front of the car. The captain gazed through the curving plate that lapped the roof. His yellow eyes fixed Her consumptive light that pulsed fire-spots in a giant cinder. The light was so weak he did not squint at all. I am confounded, Katin admitted to his jeweled box, ‘nevertheless. The mirror of my observation turns and what first seemed gratuitous I see enough times to realize it is a habit. What I suspected as habit now seems part of a great design. While what I originally took as purpose explodes into gratuitousness. The mirror turns again, and the character I thought obsessed by purpose reveals his obsession is only habit; his habits are gratuitously meaningless; while those actions i construed as gratuitous now reveal a most demonic end.”
— Samuel R. Delany
“The mark of the truly civilized is their (truly baffling to the likes of you and me) patience with what truly baffles.”
— Samuel R. Delany
“stupidity: a process, not a state. A human being takes in far more information than he or she can put out. “Stupidity” is a process or strategy by which a human, in response to social denigration of the information she or he puts out, commits him or herself to taking in no more information than she or he can put out. (Not to be confused with ignorance, or lack of data.) Since such a situation is impossible to achieve because of the nature of mind/perception itself in its relation to the functioning body, a continuing downward spiral of functionality and/or informative dissemination results,’ and he understood why! ‘The process, however, can be reversed,’ the voice continued, ‘at any time.”
— Samuel R. Delany
“When I was packing those, I caught myself taking all the important, profound, and indispensable titles I could – nearly filled the box. But one of the more eccentric librarians at the internment compound I’d gotten permission to riffle had put up a whole shelf full of cubes of women writers or texts about women. She was convinced nobody could be truly educated unless they’d read them – though nobody I ever met had, except her, maybe. […]”
— Samuel R. Delany
“Well, most textbooks say language is a mechanism for expressing thought. But language is thought. Thought is information given form. The form is language.”
— Samuel R. Delany
“ABSTRACT THOUGHTS in a blue room; Nominative, genitive, etative, accusative one, accusative two, ablative, partitive, illative, instructive, abessive, adessive, inessive, essive, allative, translative, comitative. Sixteen cases of the Finnish noun. Odd, some languages get by with only singular and plural. The American Indian languages even failed to distinguish number. Except Sioux, in which there was a plural only for animate objects. The blue room was round and warm and smooth. No way to say warm in French. There was only hot and tepid If there’s no word for it, how do you think about it? And, if there isn’t the proper form, you don’t have the how even if you have the words. Imagine, in Spanish having to assign a sex to every object: dog, table, tree, can-opener. Imagine, in Hungarian, not being able to assign a sex to anything: he, she, it all the same word. Thou art my friend, but you are my king; thus the distinctions of Elizabeth the First’s English. But with some oriental languages, which all but dispense with gender and number, you are my friend, you are my parent, and YOU are my priest, and YOU are my king, and YOU are my servant, and YOU are my servant whom I’m going to fire tomorrow if YOU don’t watch it, and YOU are my king whose policies I totally disagree with and have sawdust in YOUR head instead of brains, YOUR highness, and YOU may be my friend, but I’m still gonna smack YOU up side the head if YOU ever say that to me again;And who the hell are you anyway . . .?”
— Samuel R. Delany
“It’s a very new, not to mention vulgar, idea that the spectator’s experience should be identical to, or even have anything to do with, the artist’s”
— Samuel R. Delany
“Everything in a science-fiction novel should be mentioned at least twice (in at least two different contexts).”
— Samuel R. Delany
“Science fiction isn’t just thinking about the world out there. It’s also thinking about how that world might be—a particularly important exercise for those who are oppressed, because if they’re going to change the world we live in, they—and all of us—have to be able to think about a world that works differently.”
— Samuel R. Delany
“Do you follow the wrestling? Most people think it’s illegal, but you can watch it there. Ruby and Python are on display this evening.”
— Samuel R. Delany
“Desire isn’t appeased by its object, only irritated into something more than desire that can join with the stars to inform the chaotic heavens with sense.”
— Samuel R. Delany
“Well, your perfect erotic object remains only in recognition memory); and his absolute absence from reconstruction memory becomes the yearning that is, finally, desire. That socially surrounded absence, when you’re young, masks a lot of things in the real world; when you’re older and a few thousand sexual encounters have begun to clear what desire is about (or perhaps what really lies about desire) and you have begun to perceive desire’s edges, its effect is not so much that of an obliterator any more as it is that of a distorting lens. If you can smile at what you see through, it’s sometimes illuminating.”
— Samuel R. Delany
“And his left nipple was centimetres above my right eye. I wanted to lean my head back and lick it – not from desire but from that idiocy always there to subvert desire and render it ludicrous. Our human heat was a third creature bevelling between us.”
— Samuel R. Delany
“You’ve blotted the rich form of desire from my life and left me only some vaguely eccentric behaviors that have grown up to integrate so much pleasure into the mundane world around me. What text could I write now? It’s as though I cannot even remember what I once desired. All I can look for now, when I have the energy, is lost desire itself– and I look for it by clearly inadequate means. At best such an account as I might write would read like the life of anyone else, with, now and again, a bizarre and interruptive incident, largely mysterious and completely demystified– at least that’s what it has become without the day-to-day, moment-to-moment web of wanting that you have unstrung from about my universe. Without it, all falls apart. In a single gesture you’ve turned me into the most ordinary of human creatures and at once left me an obsessive, pleasureless eccentric, trapped in a set of habits which no longer have reason because they no longer lead to reward. And if I had enough self-confidence, in the midst of this bland continual chaos into which you’ve shunted me, for hate, I should hate you. But I don’t have it.”
— Samuel R. Delany
“The pleasures of love are really quite wonderful–though I suspect they are rather a luxury and require a certain level of socioeconomic stability to be anything other than a mode of suffering.”
— Samuel R. Delany
“An individual, a thing apart from its environment, and apart from all things in that environment; an individual was a type of thing for which symbols were inadequate, and so names were invented . I am invented. I am not a round warm blue room. I am someone in that room; I am—”
— Samuel R. Delany
“Those moments when we learn that mothers rage and fathers kill, that friends betray and authority is fallible, or that our own blank, innocent ignorance can destroy the pure, the good, and the loved are moments the very memory of which constitutes the beginning of a strategy to live in a world where such horrors exist.”
— Samuel R. Delany
“…I looked out the window at walls of moonlit cloud rising beside us as though we we were at the bottom of some, gray and ivory canyon, hung above the moon-smashed sea…But, with whatever hindsight, I suppose the reason that I want to close on a consideration of these words is that the moon-solid progress through high, drifting cumulus is — read them again — at the very opposite of what we perceive on a liquid’s tilting and untilting top, and so becomes the other privileged pole among the images of this study, this essay, this memoir. Or perhaps, as it is only a clause whose syntactic place has been questioned by my own unscholarly researches, I merely want to fix it before it vanishes like water, like light, like the play between them we only suggest, but never master, with the word motion.”
— Samuel R. Delany
“Sometimes you want to say things, and you’re missing an idea to make them with, and missing a word to make the idea with. In the beginning was the word. That’s how somebody tried to explain it once. Until something is named, it doesn’t exist.”
— Samuel R. Delany
“The dawn of space travel is the dawn of woman.”
— Samuel R. Delany
“In Arachnia as it is spoken on Nepiy, ‘she’ is the pronoun for all sentient individuals of whatever species who have achieved the legal status of ‘woman’. The ancient, dimorphic form ‘he’, once used exclusively for the genderal indication of males (cf. the archaic term man, pl. men), for more than a hundred-twenty years now, has been reserved for the general sexual object of ‘she’, during the period of excitation, regardless of the gender of the woman speaking or the gender of the woman referred to.”
— Samuel R. Delany
“We try to bring up our children so that they are protected from the world’s evils, only to find we’ve raised a pack of innocents who seem to be about to stumble into them at every turn just from sheer stupidity!”
— Samuel R. Delany
“Because feelings, emotional and physical, are so foregrounded in sexual encounters, the orgy is soon the most social of human interchanges, where awareness and communication, whether verbal or no, hold all together or sunder it.”
— Samuel R. Delany
“But the strange thing, the thing that you can never explain to anyone, except another nut, or, if you’re lucky, a doctor who has an unusual amount of sense-stranger than the hallucinations, or the voices, or the anxiety-is the way you begin to experience the edges of the mind itself… in a way other people just can’t.”
— Samuel R. Delany