Clergyman's

Over 70k "Quotes"

“We believed optimistically that Laurie was a reformed character. I told my husband, on the last day of Laurie’s confinement, that actually one good scare like that could probably mark a child for life, and my husband pointed out that kids frequently have an instinctive desire to follow the good example rather than the bad, once they find out which is which. We agreed that a good moral background and thorough grounding in the Hardy Boys would always tell in the long run.(“Arch-Criminal”)”
— Shirley Jackson

“Far and away the greatest menace to the writer—any writer, beginning or otherwise—is the reader. The reader is, after all, a kind of silent partner in this whole business of writing, and a work of fiction is surely incomplete if it is never read. The reader is, in fact, the writer’s only unrelenting, genuine enemy. He has everything on his side; all he has to do, after all, is shut his eyes, and any work of fiction becomes meaningless. Moreover, a reader has an advantage over a beginning writer in not being a beginning reader; before he takes up a story to read it, he can be presumed to have read everything from Shakespeare to Jack Kerouac. No matter whether he reads a story in manuscript as a great personal favor, or opens a magazine, or—kindest of all—goes into a bookstore and pays good money for a book, he is still an enemy to be defeated with any kind of dirty fighting that comes to the writer’s mind.”
— Shirley Jackson

“The trees around and overhead were so thick that it was always dry inside and on Sunday morning I lay there with Jonas, listening to his stories. All cat stories start with the statement: “My mother, who was the first cat, told me this,” and I lay with my head close to Jonas and listened. There was no change coming, I thought here, only spring; I was wrong to be so frightened. The days would get warmer, and Uncle Julian would sit in the sun, and Constance would laugh when she worked in the garden, and it would always be the same. Jonas went on and on (“And then we sang! And then we sang!”) and the leaves moved overhead and it would always be the same.”
— Shirley Jackson

“Eleanor looked up, surprised; the little girl was sliding back in her chair, sullenly refusing her milk, while her father frowned and her brother giggled and her mother said calmly, ‘She wants her cup of stars.’Indeed yes, Eleanor thought; indeed, so do I; a cup of stars, of course.’Her little cup,’ the mother was explaining, smiling apologetically at the waitress, who was thunderstruck at the thought that the mill’s good country milk was not rich enough for the little girl. ‘It has stars in the bottom, and she always drinks her milk from it at home. She calls it her cup of stars because she can see the stars while she drinks her milk.’ The waitress nodded, unconvinced, and the mother told the little girl, ‘You’ll have your milk from your cup of stars tonight when we get home. But just for now, just to be a very good little girl, will you take a little milk from this glass?’Don’t do it, Eleanor told the little girl; insist on your cup of stars; once they have trapped you into being like everyone else you will never see your cup of stars again; don’t do it; and the little girl glanced at her, and smiled a little subtle, dimpling, wholly comprehending smile, and shook her head stubbornly at the glass. Brave girl, Eleanor thought; wise, brave girl.”
— Shirley Jackson

“I cannot find any patience for those people who believe that you start writing when you sit down at your desk and pick up your pen and finish writing when you put down your pen again; a writer is always writing, seeing everything through a thin mist of words, fitting swift little descriptions to everything he sees, always noticing. Just as I believe that a painter cannot sit down to his morning coffee without noticing what color it is, so a writer cannot see an odd little gesture without putting a verbal description to it, and ought never to let a moment go by undescribed.”
— Shirley Jackson

“On either side of Natalie as she walked toward her own room were doors: perhaps behind one door a girl was studying, behind another a girl was crying, behind a third a girl was turning uneasily in her sleep. Behind a certain definite door downstairs Anne and Vicki sat, laughing and speaking in loud voices whatever they chose to say; behind other doors girls lifted their heads at Natalie’s footsteps, turned, wondered, and went back to their work. I wish I were the only person in all the world, Natalie thought, with a poignant longing, thinking then that perhaps she was, after all.”
— Shirley Jackson

“He hated the blue platter his mother served from, and the salt and pepper shakers, which were glass with red tops, and he hated the silverware designed in flowers, some pieces scratched almost beyond recognition. He even hated the round table and the succession of tablecloths, one pale blue with yellow leaves, one white with red and orange squares. He hated the uncomfortable chairs, particularly his own, where he sat squirming, and he hated his family and the way they talked.”
— Shirley Jackson